A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.

French Antique Religious Oil Painting on Canvas

€297,50 EUR
French Antique Religious Oil Painting on Canvas

French Antique Religious Oil Painting on Canvas

€297,50 EUR

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A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence).

The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.

Its old varnish makes the colors look warm and slightly glossy. 

There are also small age lines—very fine cracks—especially in the skin and middle tones (see photos). Structurally sound. A quiet focal piece for living rooms or studies under soft warm light.

Origin : France
Period : approx. late 19th century/early 20th century
Materials : oil on canvas

Dimensions :
Height: approx.  46 cm (approx. 18'')
Width: approx. 38 cm (approx. 15'')

Condition : good aged antique with aged varnish with gloss/yellowing, light edge wear; overall stable.

As photos are part of our description please review carefully before purchase.

Weight (before packing) : approx.  0.600  kg

Weight (prepared for secure and safe shipping) : approx. 2.2  kg

✓ Authentic late 19th/early 20th century after Raphael study—iconic subject with museum aura.
✓ Warm mellow palette and gentle gloss that suit modern rustic and classic interiors
✓ We take extra care to pack and ship your item safely, so it arrives just as beautiful as it left.
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Manufacturer(s):

Unknown

Product safety:

GPSR (General Product Safety Regulations)

This item is an vintage/antique collectible, offered as a decorative object.
Due to its age, it may not meet modern safety standards for functional use.
It is sold as-is and intended for display use only.
Not suitable for children. Please handle with care
About this piece
Era
approx. late 19th century/early 20th century
Origin
France
Material
Canvas
Dimensions
Height: approx. 46 cm (approx. 18'')
Width: approx. 38 cm (approx. 15'')
Weight (with packaging)
2.1 kg
Condition
good aged antique with aged varnish with gloss/yellowing, light edge wear; overall stable.
Shipping & Customs

We will work quickly to ship your order as soon as possible. Once your order has shipped, you will receive an email with further information. Delivery times vary depending on your location.
Manufacturing & Safety
Manufacturer
Unknown

GPSR (General Product Safety Regulations) 

This item is an vintage/antique collectible, offered as a decorative object. Due to its age, it may not meet modern safety standards for functional use. It is sold as-is and intended for display only.

Not suitable for children. Please handle with care.
A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.

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