A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.

Peinture à l'huile religieuse ancienne française sur toile

€297,50 EUR
Peinture à l'huile religieuse ancienne française sur toile

Peinture à l'huile religieuse ancienne française sur toile

€297,50 EUR

Calcul des frais de port…

Huile sur toile de la fin du XIXe ou du début du XXe siècle d'après Raphaël, basée sur la Madone de la chaise (1513–1514, Palais Pitti, Florence).

L'artiste (peut-être un étudiant de l'époque) adapte le tondo de Raphaël sur une toile rectangulaire, en conservant l'emblématique robe verte à manches à motifs, l'étreinte tendre et le jeune saint Jean sur la droite, sur un fond sombre.

Son vernis ancien confère aux couleurs un aspect chaud et légèrement brillant.

Il présente également de petites lignes d'âge — de très fines craquelures — notamment sur la peau et dans les demi-teintes (voir photos). Structurellement sain. Une pièce maîtresse discrète pour un salon ou un bureau, mise en valeur par une lumière douce et chaude.

Origine : France
Époque : env. fin du XIXe/début du XXe siècle
Matériaux : huile sur toile

Dimensions :
Hauteur : env. 46 cm (env. 18 po)
Largeur : env. 38 cm (env. 15 po)

État : bon état ancien avec vernis vieilli présentant brillance/jaunissement, légère usure sur les bords ; stable dans l'ensemble.

Les photos faisant partie intégrante de notre description, veuillez les examiner attentivement avant tout achat.

Poids (avant emballage) : env. 0,600 kg

Poids (préparé pour une expédition sûre et sécurisée) : env. 2,2 kg

✓ Authentique étude d'après Raphaël de la fin du XIXe/début du XXe siècle — sujet iconique à l'aura muséale.
✓ Palette chaude et douce avec un léger brillant qui convient aux intérieurs rustiques modernes et classiques.
✓ Nous apportons un soin particulier à l'emballage et à l'expédition de votre objet, afin qu'il arrive aussi beau qu'à son départ.
___________________________________________

Fabricant(s) :

Inconnu

Sécurité du produit :

GPSR (Règlement général sur la sécurité des produits)

Cet article est un objet de collection vintage/ancien, proposé en tant qu'objet décoratif.
En raison de son âge, il pourrait ne pas répondre aux normes de sécurité modernes pour un usage fonctionnel.
Il est vendu en l'état et destiné uniquement à une utilisation décorative.
Ne convient pas aux enfants. Veuillez manipuler avec précaution
About this piece
Era
fin du XIXe siècle/début du XXe siècle environ
Origin
France
Material
Canvas
Dimensions
Hauteur : env. 46 cm (env. 18 po)
Largeur : env. 38 cm (env. 15 po)
Weight (with packaging)
2.1 kg
Condition
Belle pièce ancienne, vernis vieilli avec éclat/jaunissement, légère usure sur les bords ; stable dans l'ensemble.
Shipping & Customs

We will work quickly to ship your order as soon as possible. Once your order has shipped, you will receive an email with further information. Delivery times vary depending on your location.
Manufacturing & Safety
Manufacturer
Unknown

GPSR (General Product Safety Regulations) 

This item is an vintage/antique collectible, offered as a decorative object. Due to its age, it may not meet modern safety standards for functional use. It is sold as-is and intended for display only.

Not suitable for children. Please handle with care.
A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.
  • A late 19th-century/early 20th century after Raphael oil painting based on Madonna della Sedia (1513–1514, Pitti Palace, Florence). The artist (perhaps a student of the time) adapts Raphael’s tondo into a rectangular canvas, preserving the iconic green dress with patterned sleeve, the tender embrace, and the young St. John at right against a deep ground.

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